Salty Blues
Deep, south, way by the American Orleans live many.
Penny Lanes, pumping like arteries of warm blood;
The blues of life that rise in flood.
An Indian dharma immigrant, Raj, whisky-swigger, comes to cut his lock of hair
In the sweltering monsoon of the afternoon.
Orleans folk, like Red, ooze those twelve-bars:
Octaves in this slow parade: filtering through majestic oaks in sunny church-yards on Sunday.
Exploited people, for all those wrongs that Red cries, the good Red sings.
Children fish and build rafts, and run in the woods.
Gigantic freight trains rumble and whistle to lone train posts.
The free ladies, Nancy, sample all that melting pots bring;
Musing by the town hall in her Rastafarian hat and slender sarong, where mysterious strangers drone.
Shed smile that smile, which knows why scarecrows, dont scare the eagles.
All in a Western humdrum hanging on for dear life:
Clutching fistfuls of dollars, under the baking blue Orleans skies,
Tasting dangerous life, with tongues out.
The breeze of the Gulf of Mexico would blow in the evening to the land.
Vast pockets of life would smoulder together at bars
And the mysterious strangers share raw scar tissue.
Once, old Raj pulled his .32 trigger.
Old Raj lost his halo.
Old Raj was imprisoned.
And Red and Nancy
They would visit him sometimes
And listen to his maggot stories in a shithole prison.
Raj hangs on to escape he misses his visions those long visions
Where he wants more than anything, anything at all, to escape
Far away, to the crystal chandeliers of Pacific Waves.
Well now, Nancy, she works being a beef factory inspector:
She converts Red to the real ideals of Buddha.
Red does things, and sees Bhodidharma atop shagpiles of lifes grind.
Raj lives his, back at the shithole: surrounded by epidemics of voice disease.
Automobiles become common in the vibrant ages of civilisation,
Everybody drives into their heavens, they become common.
The waves of the underworld blow their breezes this way, across their ashes.
The ashes, sit, under the stars, on a risen island, the deep sea
Ubiquitously they will never be blown away.
Here's to the crazy ones. The misfits. The rebels. The trouble-makers. The round heads in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status-quo. You can quote them. Disagree with them. Glorify, or vilify them. But the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.
Think Different, Apple.
I hope for these people, they always
Bask on their odourless permanent islets.
Lazily, our deep eyes
Sing salty blues.
About This Poem
This ambitious narrative poem paints a rich portrait of New Orleans' cultural landscape through three interconnected characters: Raj (an Indian immigrant), Red (a blues musician), and Nancy (a free-spirited woman in a Rastafarian hat). The poem captures the essence of the blues—both as a musical form ("twelve-bars," "octaves") and as a way of life born from exploitation and hardship. Raj's trajectory from immigrant to prisoner highlights how the American dream can turn nightmare, while Red and Nancy represent different forms of freedom—artistic expression and philosophical exploration (Nancy converts Red to Buddhism). The inclusion of Apple's "Think Different" manifesto as the poem's centerpiece is striking, positioning these marginal characters as the "crazy ones" and "misfits" who ultimately drive human progress. The closing image of "salty blues"—both the tears of suffering and the musical tradition born from it—suggests how pain transforms into art. Written in 2002, the poem resonates with themes of immigration, incarceration, and cultural hybridity that remain deeply relevant today.